Cupid 2001-2011

could not describe it better myself:

The Cocktail Party (1949), T. S. Eliot

It will do you no harm to find yourself ridiculous.
Resign yourself to be the fool you are.


You will find that you survive humiliation
And that's an experience of incalculable value.


That is the worst moment, when you feel you have lost
The desires for all that was most desirable,
Before you are contented with what you can desire;
Before you know what is left to be desired;
And you go on wishing that you could desire
What desire has left behind. But you cannot understand.
How could you understand what it is to feel old?


We die to each other daily.
What we know of other people
Is only our memory of the moments
During which we knew them. And they have changed since then.
To pretend that they and we are the same
Is a useful and convenient social convention
Which must sometimes broken. We must also remember
That at every meeting we are meeting a stranger.


What is hell? Hell is oneself.
Hell is alone, the other figures in it
Merely projections. There is nothing to escape from
And nothing to escape to. One is always alone.


Half the harm that is done in this world
Is due to people who want to feel important.
They don't mean to do harm — but the harm does not interest them.
Or they do not see it, or they justify it
Because they are absorbed in the endless struggle
To think well of themselves.


There are several symptoms
Which must occur together, and to a marked degree,
To qualify a patient for my sanitorium:
And one of them is an honest mind. That is one of the causes of their suffering.


To men of a certain type
The suspicion that they are incapable of loving
Is as disturbing to their self-esteem
As, in cruder men, the fear of impotence.


I should really like to think there's something wrong with me —
Because, if there isn't then there's something wrong,
Or at least, very different from what it seemed to be,
With the world itself — and that's much more frightening!


Everyone's alone — or so it seems to me.
They make noises, and think they are talking to each other;
They make faces, and think they understand each other.
And I'm sure they don't. Is that a delusion?


Can we only love
Something created in our own imaginations?
Are we all in fact unloving and unloveable?
Then one is alone, and if one is alone
Then lover and beloved are equally unreal
And the dreamer is no more real than his dreams.


I shall be left with the inconsolable memory
Of the treasure I went into the forest to find
And never found, and which was not there
And is perhaps not anywhere? But if not anywhere
Why do I feel guilty at not having found it?


Disillusion can become itself an illusion
If we rest in it.


Two people who know they do not understand each other,
Breeding children whom they do not understand
And who will never understand them.


There is another way, if you have the courage.
The first I could describe in familiar terms
Because you have seen it, as we all have seen it,
Illustrated, more or less, in lives of those about us.
The second is unknown, and so requires faith —
The kind of faith that issues from despair.
The destination cannot be described;
You will know very little until you get there;
You will journey blind. But the way leads towards possession
Of what you have sought for in the wrong place.


We must always take risks. That is our destiny.


If we all were judged according to the consequences
Of all our words and deeds, beyond the intention
And beyond our limited understanding
Of ourselves and others, we should all be condemned.


Only by acceptance of the past will you alter its meaning.


Every moment is a fresh beginning.

T. S. Eliot

Lady Lazarus - S. Plath

Sylvia Plath - Lady Lazarus

I have done it again. One year in every ten I manage it---- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin 0 my enemy. Do I terrify?---- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else, I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart---- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash --- You poke and stir. Flesh, bone, there is nothing there---- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air.